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"Halpern, Nick"
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\Coming Back Here How Many Years Now\: August Kleinzahler and James Wright's \Shall We Gather at the River\
James Wright's work of the sixties, and particularly \"Shall We Gather at the River,\" is associated with deep-image poetry. Halpern describes what that poetics might mean to poets writing today, and he also notes the process by which Wright came to deep-image poetry.
Journal Article
Elizabeth Bishop's Poetics of Description/A Poet's High Argument: Elizabeth Bishop and Christianity
Because Pickard chooses this approach, however, it is not always immediately clear where his argument is going, or why he has chosen a particular point of departure. [...]this is a product of chronology: book length studies of Bishop began to appear with some frequency in the late 1980s and early 1990s, at a time when what now look like overly essentialist theories of gender and sexuality were commonly used as a basis for theories of poetic subjectivity. [...]often she mentions art only to give it a religious coloring. [...]Corelle writes of Bishop's \"lifelong belief in the spiritually sustaining, even potentially sacramental, power of art that must, for her, function freely, apart from any assigned system of use or value\" (57).
Book Review
